从张爱玲的短篇小说《色·戒》到李安的电影《色·戒》,我们更多地欣赏到的是两种艺术形式之间转换的尽可能大的可能性的实现。把观众放在过程中摇曳可以使他们得到充分享受,对氛围的营造可以帮助观众陶醉于某种超现实的情景中体验现实不能给予自己的东西,从而实现对现实的补偿。艺术永远是对现实的补偿。最大的审美享受在于想象中。 From Zhang Ailing’s short story, “Color and Caution,” to Ang Lee’s movie “The Color and the Ring,” what we appreciate more is the realization of the greatest possible chance of conversion between the two art forms. Swaying the audience in the process can make them fully enjoy the creation of the atmosphere can help the audience intoxicated in a surreal scene to experience the reality can not give their own things in order to achieve the reality of compensation. Art is always a compensation for reality. The greatest aesthetic enjoyment lies in imagination.