90年代已经经过了近五年的发展历程,它的形态与走向似已日渐清晰。“后新时期”/“新时期”间的差异与断裂已随着市场化与消费化的转型而越来越为人们所深识。文化及对文化进行阐释的“知识”都已发生了前所未有的巨变。这里既有如电视肥皂剧、卡拉OK、MTV、流行小说这样的新的大众文化走向的呈现,也有如“后殖民”及“后现代”的论争这样的高层文化对话的表征,但它们都共同标识着一个巨大的文化的地壳运动的生成。五年来的文化发展进程既是“冷战后”新世界格局形成过程中多重矛盾的投射,又是我们本土文化的复杂运作的结果。尽管人们对“后新时期”的概念仍存有争议,但似乎任何人都已无意和无法否认一个巨大的文化转型的到来;尽管人们对这一转型进行了种种不同的阐释,但我们已告别了80年代的话语则是广泛的共识。“后新时期”业已成为当下文化阐释的关键代码,成为我们 In the 1990s, after nearly five years of development, it has become increasingly clear its shape and direction. The differences and ruptures between “post-new period” and “new period” have become more and more people’s understanding with the transformation of marketization and consumerism. Cultural and cultural “knowledge” has taken place unprecedented changes. There are new cultural trends such as television soap operas, karaoke, MTV and popular novels, as well as high-level cultural dialogues such as postcolonial and postmodern debates, but they all collectively identify The formation of a huge cultural crustal movement. The process of cultural development in the past five years is not only the projection of multiple contradictions in the formation of the new world pattern in the post-Cold-War period but also the result of the complicated operation of our local culture. Although there is still controversy over the notion of a “post-new era,” it seems that no one has come forward and can not deny the advent of a huge cultural transition; and despite all the different interpretations of this transition, we have already bid farewell The discourse of the 1980s is a broad consensus. The “post-new period” has become the key code of the current cultural interpretation and has become us