新世纪以来,从《英雄》开始中国电影“大片”的概念约定俗成并深入人心。《集结号》是中国大片的一个转折点,并逐渐呈现出若干类型性特征,即一种具有中国特色的电影大片类型。但一些大片在类型定位上并没有遵循类型电影的规则,自觉或不自觉的非类型或反类型实践,使得大片留下一些矛盾和尴尬。尽管如此,当下中国电影事业是需要大片的,它可以带动电影市场。当然,大片类型需要成熟和优化,需要妥善平衡艺术/商业、本土/国际等复杂二元对立之关系。 Since the beginning of the new century, the concept of Chinese movie “blockbuster” has become commonplace and deeply rooted in the hearts of the people. “Assembly” is a turning point in China’s blockbuster, and gradually presents a number of types of features, namely a blockbuster film with Chinese characteristics. However, some large films do not follow the rules of type film in their type positioning. Non-type or anti-type practice, consciously or unconsciously, leaves the blockbuster with some contradictions and embarrassment. Nevertheless, the current needs of the Chinese film industry is large, it can drive the film market. Of course, blockbuster types need to be matured and optimized, and the complex binary opposition between art / business, homegrown / international needs to be properly balanced.