《北京·记忆》于2013年12月16日落成,该创作不局限于对公共艺术概念的诠释,或者更应该用公共艺术计划来评判,因为该作品打破了以往艺术品的概念,更加强调了作品本身的计划性和系统性、创作之初,通过宣讲、走访、推广的方式征集创作素材,这种征集的过程强调了作品的“社会性”和“公共性”。 The memory of Beijing was completed on December 16, 2013. The creation is not limited to the interpretation of the concept of public art, or more should be judged by the public art project because it breaks the previous concept of artwork and emphasizes The project itself is planned and systematic. At the beginning of creation, the materials of creation are solicited by way of propaganda, visit and promotion. The process of this solicitation emphasizes the “social” and “publicity” of the works.