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歌剧《司马迁》继承延安革命文艺传统,以题材的英雄性和史鉴意义,将中国的先进文化、民族风格、地域特色,创造性地融于歌剧这一外来形式,进一步彰显了中国歌剧在跨入新世纪后与世界进行对话的积极姿态。同时,通过《司马迁》这一个例,也反映出当前歌剧创作在我国局部地区所形成的文化现象,以及由此现象所引出的对于歌剧现状的深层思考。
Opera “Sima Qian” inherited Yan’an revolutionary literary and artistic tradition, with the heroes of the theme and the historical significance of China’s advanced culture, ethnic style, regional characteristics, creatively blend in this form of opera, further demonstrates the Chinese opera into the A positive gesture of dialogue with the world after the new century. At the same time, through the example of “Sima Qian”, it also reflects the cultural phenomenon formed by the current opera creation in some parts of our country and the deep thinking on the actuality of opera caused by this phenomenon.