不久前,贺敬之同志赠我一册《贺敬之文艺论集》,书中收入他建国后有关歌剧的论说五篇,其中写于上世纪八、九十年代的占有四篇。即将出版的多卷本《贺敬之文集·文论卷(下)》这一时期有关歌剧的论说比“论集”又多收了六篇。这样,他在新时期有关中国歌剧发展的论说便有十篇之多, Not long ago, Comrade He Jingzhi presented me with a volume entitled “He Jingzhi’s Theory of Literature and Art,” which contains five articles on opera after the founding of the People’s Republic of China, of which four were written in the eighties and nineties of the last century. The soon-to-be-published multi-volume “The Collection of He Jing’s Literary Volume (Part Two)” this period of opera theory than the “Collection” and received six more. In this way, as many as ten articles on the development of Chinese opera in the new era,