在1949年之后的30年中,京剧《四郎探母》的命运是颇具传奇性的,生和死瞬间变换,飘忽不定……掌控着全国各京剧院团存在和殒灭的文化领导部门,以及那些有着绝对话语权的为数不多的京剧评论家、京剧史研究家们也对之阴晴不定,随着政治气候的变化,忽而阳光灿烂,忽而风雨雷电。在上千出京剧传统剧目中,如《四郎探母》般命 In the 30 years after 1949, the fate of Peking Opera “Si Lang” was quite legendary. The vicissitudes of life and death were momentarily erratic. The cultural leadership unit that controlled the presence and destruction of various Peking Opera troupes nationwide, and Those who have the absolute right to speak of a small number of Beijing opera critics, Peking Opera researchers are also volatile, with the political climate changes, suddenly sunshine, and the rain and thunder. In thousands of traditional opera repertoire, such as “Si Lang exploration of the mother,” like life