即使盖里·米哈依洛维奇·科尔热夫只画了一幅画《战争的痕迹》(见53页图)——一个身穿军装的人的一张满是伤痕、只有一隻眼的脸——也会在后人的心目中成为二十世纪最伟大的艺术家。因为这张脸是经历过极艰苦的战争考验,承受了无数牺牲、坚持到底、取得最后胜利的人民的面容。因为这是一张非常美的,在伟大卫国战争中被战火烧伤的脸,它体现了善良,深深地注视着我们每个人的灵魂。这幅画一出现在当时就引起了艺术界空前的争论,这不是偶然的。赞叹、自豪、痛苦、对过份坦率僵硬的描绘,对和平主义对自然主义等的谴责。 Even though Geir Mihajloovich Kohlhev only drew a painting “Traces of the War” (see page 53) - a man in a military uniform covered with scars and only one eye Face - will also be the descendants of the twentieth century, the greatest artist. Because this face is experiencing a very difficult test of war and has endured innumerable sacrifices, persevered to the face of the people who won the final victory. Because this is a very beautiful face burned by the war in the Great Patriotic War, it shows kindness and deeply looks at the souls of each of us. It was no coincidence that the painting appeared at that time that caused an unprecedented controversy in the art world. Admiration, pride, pain, portrayal of an overly candid, stiff, and pacifist condemnation of naturalism.