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一在中国古代艺术史上,诗歌与绘画的关系,其最初表现为据诗意作图,简言之即诗意图。考诗意图之起源,东晋顾恺之《论画》即记载有以《毛诗》作图者,而顾恺之自己也曾以嵇康诗作图。唐代以后,诗意图逐渐增多,朱景玄《唐朝名画录》记载周防即曾以《长门怨》作图,张彦远《历代名画记》记载张志和曾以颜真卿
In the history of ancient Chinese art, the relationship between poetry and painting was first manifested as poetic mapping and, in short, as poetic intention. The origins of the poem intent, Gu Kai’s “Paintings” in the Eastern Jin dynasty are recorded in the poem “Mao Poetry”, and Gu Kai himself also used Kang Yu poetic drawing. After the Tang Dynasty, poetry gradually increased, Zhu Jingxuan “Tang Dynasty Famous Paintings,” records that Zhou Fang was once “Chang door grievances” mapping, Zhang Yanyuan “Records of Famous Paintings” records Zhang Zhihe once Yan Yanqing