中国的现代戏剧艺术最幸运的,大约要算他们不但有莎士比亚、易卜生可以借鉴,还有从元代开始的八百年本土戏剧传统可以继承,且没有外国资本的竞争。相比之下,中国的电影艺术就没有那么幸运了。电影作为一种纯粹的舶来品,没有本土资源可以继承,且又具有资本主义的投资、生产、营 The most fortunate of Chinese modern theater art is probably that they not only have Shakespeare and Ibsen to learn from, but also the eight centuries of local drama tradition from the Yuan Dynasty that can inherit without the competition of foreign capital. In contrast, China’s film art is not so lucky. Film as a purely exotic product, there is no local resources can inherit, and also has the capitalist investment, production, camp