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中国水墨画不管水墨写意画,或是水墨工笔画,其表现形式上要靠笔墨来完成。笔墨包含有两层意义,首先是中国画艺术造型的工具与材料,其次是中国画的表现形式。 经过历代画家的创造,中国水墨画里的笔墨形式是十分丰富的。其笔法有正、侧、顺、逆、卧、拖、泼、扫、点、提、战、顿、转、擦、疾、缓……这些笔法的运用,能创造出变幻莫测的形态,如古代创造的人物衣纹就有十八种描法:这十八描笔法,后来又被花鸟画等其他画种所借鉴。中国画山水的笔法最为丰富,其中有画山石的皴法,画树枝的枝法、画树叶的点法、夹叶法和尖叶法。再从花鸟画各种画法来分,那就更多了,画竹有画干法、出梢法、画叶法,还有丛柳法、行云法、流水法、翎毛法、嘴爪法、
Chinese ink painting, regardless of ink freehand brushwork, or ink brushwork, its performance depends on ink and brush to complete. There are two meanings to the brush and ink, firstly the tools and materials for the modeling of Chinese painting, followed by the manifestations of Chinese painting. Through the creation of ancient painters, the ink and wash forms in Chinese ink painting are very rich. The strokes are positive, side, cis, inverse, lying, dragging, splashing, sweeping, point, mention, war, Dayton, turn, rub, disease, slow ... ... The use of these strokes can create unpredictable patterns, As the ancient creations of people have 18 kinds of character description: This eighteen strokes, and later by flowers and birds paintings and other paintings by reference. Chinese landscape painting is most abundant in writing, including the method of painting rocks, the branches of painting branches, the points of drawing leaves, the folder leaves and pointed leaves. And then from the various paintings of birds and flowers painting method to divide, then more, painting bamboo painting dry method, the shoot method, painting leaf method, as well as plexus law, cloud law, water law, feather law, claws law,