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扇面文化最初流行于文人之间,据唐张彦远《历代名画记》记载,三国时,曹操就有清杨修为其画扇之事。到了北宋,宫廷画家更是画扇成风,且传留下不少扇面画。集书法、绘画艺术于一扇之上,则始于明代,并随之出现了折扇。文人骚客如唐伯虎、郑板桥等,均有画扇轶事流传。明清两代,几乎所有在画史上留有一笔的画家都画过扇面。扇面往往是画家的心血之作。尤其是折扇,无论构图还是笔墨,都要比一般作画难得多。一来是由于扇面尺幅较小且为弧形,书写作画需有讲究;二是折扇有折痕,更是增加了运笔的难度。此外,扇画需一气呵成,中途不能停
Fan culture first popular among scholars, according to the Tang Zhang Yanyuan “records of famous historical figures” records, when the Three Kingdoms, Cao Cao Qing Yang Xiu has its fan painting thing. In the Northern Song Dynasty, the court painter even drew the fan into the wind and handed down many fan-shaped paintings. Set calligraphy, painting art in one above, then began in the Ming Dynasty, and the accompanying folding fan. Literati poets such as Flirting Bo, Zheng Banqiao, etc., are anecdotal anecdotes. In the Ming and Qing dynasties, almost all the painters who had a pen in the history of painting had painted the fan surface. Fan often painter’s effort. Especially the folding fan, whether composition or ink, are much more difficult than the average painting. One is due to the small size of the fan and arc, writing and painting need to pay attention to; second folding fan has creases, but also increases the difficulty of the pen. In addition, the fan painting needs one go, can not stop halfway