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京剧装扮就是利用服装、化妆、头饰、道具等把演员装扮好。让人们一看就能分辨出善与恶,忠与奸,所以京剧装扮是一项非常严格规范的艺术,在色彩上、服饰纹样上、服装的款式(蟒、靠、帔、褶、衣等)都能充分展示人物的地位与性格。本文立足于挖掘我国的传统文化与动画之间的相互契机,进而又延伸到了新时代背景下我国动画将如何创作与发展的问题。对我国的民族文化,既要发掘出其中蕴藏的丰富的资源,又要看到其中存在的不是和缺憾。在进行动画创作时,要活学活用。有些人认为搬出典故神话就是弘扬民族文化,动画就有了内涵,也许这仅仅是流于表面的吸收,刻意模仿的表现。如何传承民族文化,在本民族文化元素的基础之上进行开拓与创新。
Peking Opera dress is the use of clothing, make-up, headdresses, props, etc. to dress up well. So that people can distinguish between good and evil, loyalty and rape, so Peking Opera dress is a very strict and standardized art, in color, clothing patterns, clothing styles (python, lean, 帔, pleat, clothing, etc. ) Can fully demonstrate the status and character of the characters. Based on the excavation of the mutual opportunity between our country’s traditional culture and animation, this article extends to the issue of how our animation will be created and developed in the new era. For our country’s national culture, it is necessary to discover the abundant resources contained in it and to see the defects and flaws existing in it. In the animation creation, to learn to use. Some people think that the myth of moving allusions is to carry forward the national culture, animation has meaning, and perhaps this is only superficial absorption, deliberate imitation of the performance. How to Inherit the National Culture and Develop and Innovate on the Basis of the National Culture Elements.