美国电影导演陷入了身份危机。在过去的十年中,他们已经从主要创作人员转变为行政人员和承包者。或更有甚者,他们已降职到托姆·伍尔夫笔下宇航员的阶层:聪明、善解人意、天资对路的猴子。只有伍迪·艾伦由于与奥利安影片公司的特殊关系,才得以按部就班地根据自己的美学与哲学爱好拍片。 American film director caught in identity crisis. Over the past decade, they have transformed from key creatives to executives and contractors. Or worse, they have been downgraded to the class of astronauts written by Tom Woolf: a wise, considerate, talented monkey. Only Woody Allen, with his special relationship with Orion Pictures, was able to step by step based on his aesthetic and philosophical interests.