过去,京剧界在艺术上三自创一派、卓然成家的艺术家们在唱腔、表演艺术等方面,都各有自己独特的创造,形成了自己独特的风格。他们或是和剧作家们密切配合,或是自己创作,改编出一批为他们所独有的新剧目。象梅兰芳的《霸王别姬》《生死恨》等,程砚秋的《锁麟囊》《荒山泪》《春闺梦》等,周信芳的《萧何月下追韩信》《徽钦二帝》《义责王魁》《海瑞上疏》等,这是京剧老观众们都非常熟悉的。他们在每出新戏中,必定在唱腔、 In the past, Peking Opera created three unique artists in art, and Zoran artists made their own distinctive creation in singing and performing arts. They work closely with playwrights, or create their own, adapted a new series for their own unique repertoire. Such as Mei Lanfang’s “Farewell My Concubine” “Hate and Hate” and so on, Cheng Yanqiu’s “lock Lin bag” “barren mountain tears” “spring boudoir dream”, Zhou Xinfang’s “ ”Yi Wang Kui“, ”Hai Shui Shang Shu" and so on, which is the old audience Peking Opera are very familiar with. In every new play, they must sing,