仇英以其高超的绘画技巧独立明代中期的画坛,甚至连晚明艺坛的重要旗手董其昌都不得不折服于仇英的绘画实践的本事。《唐人诗意图册》尽现了文人与工艺并存的双重审美趣味,工艺的精细缜密,独步明朝数百年,无人能出其右。 Qiu Ying, with his superb painting skills, independently paints the middle of the Ming Dynasty, even the important bannerman Dong Qichang of the late Ming art circles, had to condemn Qiu Ying’s painting practice. The Tang Dynasty Poetic Atlas has shown the dual aesthetic taste of the coexistence of the literati and the craftsmanship. The craftsmanship is meticulous and meticulous, and is unmanned by the Ming Dynasty for hundreds of years.