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中国歌剧的发展较之欧洲几百年的历史积累,虽在时间和文化积淀上仍处于初级阶段,但在几代音乐人励精图治的奋发拼搏中,诞生了一批批脍炙人口的艺术经典。时至新世纪的今天,在各种主客观因素的综合作用下,中国歌剧的进步虽在表象上愈发火爆,但明显存在着创作动力不足等方面的内忧外患。本文以音乐社会学和美学的视角进行观察,着重论述中国当代歌剧创作中存在的问题,并深入思考对策和解决途径,力求能够对未来的发展道路形成一定的理论指导意义。
Compared with the historical accumulation in Europe for hundreds of years, the development of Chinese opera is still in its infancy in terms of time and cultural accumulation. However, in the hard work of generations of musicians, lots of popular classic art works have emerged. Nowadays, in the new century, with the combination of various subjective and objective factors, the progress of Chinese opera has become more and more hot on appearances, but there are obviously internal and external causes such as insufficient creative motivation. This article observes from the angle of sociology of music and aesthetics, focuses on the problems existing in the creation of contemporary Chinese operas, and ponders over countermeasures and solutions in a bid to form a theoretical guidance for the future development.