对于现代文学评论家而言,最不可思议的作品之一就是哥伦比亚作家、记者加西亚·马尔克斯的《百年孤独》,而书中更不可思议的就是那充斥全篇的浓郁的魔幻色彩.但作者本人却并不以之为魔幻,在他笔下这些诡异的不同寻常的事物都是正常的,是拉美人最现实的生活.于是,在评论家的所谓魔幻和作者本身所谓的“现实”之间,一个魔幻——现实主义的名词被制造出来了. One of the most incredible works by modern literary critics is the “century-old loneliness” by Colombian writer and journalist García Márquez, and even more incredible is the full-fledged magical color of the book. I did not think it magical, but in his works these weird and unusual things are normal and the most realistic life for Latins, so between the so-called “reality” of the author’s so-called magic and the author’s own , A magical-realist noun was made.