在中国现代喜剧思想史上 ,客观论是一种侧重从社会学角度阐释喜剧问题的理论思潮。它不仅强调了喜剧中的理性认知因素 ,而且将其纳入一个坚固有力的社会功能系统。在唯有抗争才能赢得民族生存的特殊的历史年代中 ,客观论赋予了中国现代喜剧参与社会重大变革实践的新机遇。对于喜剧社会性和战斗性的高度重视 ,使客观论的主流走向讽刺 ,并以这种特殊的喜剧审美形态为中轴营建起自己爱憎分明的喜剧观 ,有力地促进了中国现代讽刺喜剧的成熟和繁盛。在客观论为中国的现代喜剧赢得的历史性殊荣之中 ,既包含了它的成功 ,也隐含着某种危机的成分 ,后者同客观论自身的理论局限直接相关 In the history of modern Chinese comic thought, objective theory is a kind of theoretical trend that focuses on the interpretation of comic issues from a sociological point of view. It not only emphasizes the rational cognitive factors in comedies, but also integrates it into a strong social function system. In the special historical era where only the resistance can win the nation’s survival, objective theory gives new opportunities for the participation of modern Chinese comedy in the practice of major social changes. With great attention paid to the sociality and combat effectiveness of comedies, the mainstream of objective theory has become satirical. Based on this special aesthetic form of comedy, a comic view of love and hate has been established and the modern Chinese satirical comedy has been vigorously promoted Mature and prosperous. In the historical honor won by objective theory for modern Chinese comedies, both its success and the element of crisis are implied, and the latter is directly related to the theoretical limitations of objective theory