在我国的历史中,山水与田园作为文化素材进入诗歌,大概始于魏晋。据有关学者考证,这种现象得以形成的重要原因是:当时的士人受玄学感召,力图冲破尘市的樊笼,寻求精神解脱的理想去处。可以说,中国的山水画与田园画就是在诗歌的影响下发展起来的。而且,就像当时的许多诗人一样,作为表现对象的山水与田园实际上被画家们当作了暗寓隐逸意识的场所。有一点很重要,即无论是在先秦汉魏,还是在宋元明清,"达则兼济天下,穷则独 In the history of our country, landscapes and pastorals have entered poetry as cultural material, probably beginning with the Wei and Jin Dynasties. According to the relevant scholars, an important reason for the formation of this phenomenon is that when the taxis were inspired by Metaphysics, they tried to break through the cage of the dust market and sought the ideal place for spiritual relief. It can be said that China’s landscape painting and pastoral painting were developed under the influence of poetry. And, like many of the poets of that time, the landscapes and pastoral areas that were the object of performance were actually used by painters as a place for concealing seclusion. It is very important that both in the pre-Qin and Han Dynasties, or in the Song, Yuan, Ming and Qing dynasties,