论文部分内容阅读
拉罗斯《世界连环画词典》(P.Gaumer&C.Moliterni,Dictionnaire mondial de la Bande Dessinee,Larousse,Paris,1998.)中对断代欧美连环画,分期如下:1.拓荒(1833-1908);2.奠基(1902-1928);3.美国连漫(Comic Strip)鼎盛(1929-1939)与欧洲现代连环画的成熟(1929-1944);4.古典主义与创新(1944-1958);5.进军第9艺术(1959-1968);6.新实验(1969-1979);7.成年期与新趋势(1980-2000)。拓荒期以1833年日内瓦小说家鲁道尔夫·道波菲(Rodolphe Tpffer,1799-1846)出版的《贾博先生的故事》(Histoire de M.Jabot)作为标志,看来很有象征意义。道波菲本来想做画家,因为眼疾而选择了教书、写作的职业。但小说家使用文字的描述,不能完全满足道波菲视觉表现的欲望,他因此发明了一种上图下文的所谓“图
The division of European and American comic strips by P. Gaumer & C. Moliterni, Dictionnaire mondial de la Bande Dessinee (Larousse, Paris, 1998) is divided into the following phases: 1. Pioneering (1833-1908); 2. Founding (1929-1939) and European modern comic maturity (1929-1944); 4. Classicism and Innovation (1944-1958); 5. into the 9th Art (1959-1968); 6. New experiment (1969-1979); 7. Adulthood and new trends (1980-2000). The pioneering period, symbolized by the ”Histoire de M. Jabot“ book by Rodolphe Tpffer (1799-1846), a novelist in Geneva in 1833, seemed symbolic. Road Pauffy had wanted to be an artist, because of eye disease and chose to teach, writing career. However, the novelist’s use of a textual description can not fully satisfy the desire of Downey’s visual expression. Therefore, he invented a so-called ”figure"