在影视片创作中,有一个中外共通的现象,这就是对历史题材历久不衰的关注。这种关注大体可以分为对生活史实(历史素材)的再开掘和对艺术成品(已有影、视、剧)的再翻新。最简单与最直观的例子就是一年多前在全球成功“登陆”的好莱坞影片《泰坦尼克号》。本世纪初年,巨轮“泰坦尼克号”戏剧性地(同时更是灾难性地)沉没造就了一个巨大的神话,引起了有关艺术家的极大兴趣,在诗歌、小说、音乐、戏剧和影视作品中,这一事件不断地被演绎和被阐释。仅德国、英国、美国拍摄过的关于“泰坦尼克号”的同题材影视片就近十部,其中我们比较熟悉的有英国影片《冰海沉船》等。而詹姆斯·卡梅隆所演绎的《泰坦尼克号》可以说是典型的 In the film and television production, there is a phenomenon common to both China and foreign countries, which is the historical theme of the everlasting concern. This concern can be roughly divided into the re-excavation of the historical facts (historical material) and the refurbishment of the finished art (the shadow, the drama and the drama). The simplest and most intuitive example is the Hollywood film “Titanic,” which landed globally more than a year ago. The dramatic (at the same time more catastrophic) sinking of the wheel “Titanic” in the early part of this century created a huge myth that attracted great interest among the artists in poetry, fiction, music, drama and film and television This incident is constantly being interpreted and explained. Only Germany, the United Kingdom, the United States has filmed on the “Titanic” with the same theme film on the film nearly ten, of which we are more familiar with the British film “ice sea wreck” and so on. The “Titanic” by James Cameron is typical