论文部分内容阅读
黄专先生去世的消息传开,让不少人感到悲痛,纪念的话语和文章很多,他的《诀别的话》也似乎已经表露了他的心声。但是,我觉得,对于这样一位有着深刻影响的逝者,我们最重要的是忠实地呈现其生平最用力之处,以及对于所从事事业的“爱”与“痛”。在黄专先生一生的研究、教学与机构实践中,占据相当比重的是对于中国艺术史、艺术史学史的研究以及经典艺术史著作的引介。这方面的著述包括《文人画的趣味、图式与价值》(1993)、《潘天寿》(1999)(以上两书皆与严善錞合著)等。在前书中,两位学者“围绕着文人画运动中价值、趣味与图式间的关系,分别从艺术自律性研究和社会学描述两个
The news of Mr. Huang’s death passed away and many people feel grieved. Many words and articles are commemorated. His ”farewell speech“ seems to have revealed his aspiration. However, I think it is of the utmost importance for such a person who has a profound impact on the deceased to faithfully present the most forceful place in his life and his ”love“ and ”pain“ to his cause. In his life’s research, teaching and institutional practice, occupy a large proportion of the introduction of the history of Chinese art history, art history and classical art history. His writings in this area include ”The Taste, Patterns and Values of Scholar Painting“ (1993), Pan Tianshou (1999) (both of which are co-authored with Yan Seong-su). In the first book, the two scholars ”revolve around the relationship between the value, interest and schema in the literati painting movement, respectively, from two aspects of artistic self-discipline research and sociology