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李梦阳作为明代“前七子”领袖,不仅有丰富的诗学理论,而且有丰富的诗歌创作。在这大量的诗歌创作中,乐府诗的数量非常可观,在古代诗人的拟乐府诗中很有特色。李梦阳乐府诗思想上上承《诗经》、汉乐府的现实主义传统;下学杜甫,勇于直面现实,敢于干预时政、指摘时弊。或抒写个人遭际,或直言政治弊端与民生忧苦,忧时伤世,广泛反映了当时社会生活的种种矛盾,具有相当浓厚的危机感和批判精神,充满了不满社会现实的愤慨之情,以及关注世道民生的社会参与意识。艺术上题材丰富,内容充实;形式多样,方法灵活,风格丰富多彩;大量自拟新题,也取得了突出成就,在整个明代都是独树一帜的。
As a leader of Ming Dynasty “Qianjinzi ”, Li Mengyang is not only rich in poetics theory, but also rich in poetry creation. In this large number of poems, the number of Yuefu poems is very impressive, which is very characteristic in the poetic poems of ancient Yue. Li Mengyang Yuefu poetry on the uphold the “Book of Songs”, Han Yuefu’s realist tradition; go to school Du Fu, the courage to face the reality, dare to interfere in politics, pointing to the evil. Or describing personal suffering or bluntly speaking of political malpractices and people’s livelihood and sorrows, and broadly reflected the various contradictions in social life at that time. They had a very strong sense of crisis and a sense of criticism and were full of indignation of dissatisfaction with the reality of society. Concerned about the people’s livelihood of the community awareness of social participation. The theme of art is rich in content and rich in content. Various forms, flexible methods and rich and colorful styles are abundant in the art. Many new self-titles have also made outstanding achievements, which are unique throughout the Ming Dynasty.