木刻版画通过黑白这两种极富对比的色彩语言来完美地概括和表现整个世界的精彩,在抗战时期木板刻画得到了一定程度上的发展,其中以重庆地区为代表的大后方木刻版画的发展最具有代表性和典型性。在此时期,木刻版画凭借其在传播、复制简单、表现力强方面的优势获得重视,逐渐发展成为抗战时期的重要宣传力量。大后方木刻版画以独特的艺术表现形式展现了这段特殊的历史,对抗战的胜利和中国现代版画的发展有着不可磨灭的贡献。 Woodblock print perfectly summed up and represented the wonderful world through black and white contrasting color languages. The woodcut engraving developed to a certain extent during the Anti-Japanese War. Among them, the development of the woodcut engraving in the rear area represented by Chongqing The most representative and typical. During this period, woodblock print gained the attention due to its advantage in spreading, copying simple and powerful. It gradually developed into an important propaganda force during the Anti-Japanese War. The rear woodcut prints show this particular history in a unique artistic expression and make an indelible contribution to the victory of the war and the development of modern Chinese prints.