罗辛在《中国歌剧形式问题初探》(《戏剧》1986年第三期)一文中认为:中国歌剧的形式,不能提以中国戏曲和西洋歌剧为基础,创作中向土偏或向洋偏都可以。关于此问题,文章提出三点:一、在编写古代、近代、神话题材的剧本时,可以采用词曲体的歌词。在编写民间传说和地方色彩很强烈鲜明的剧本时,可以采用民歌、民谣体。在编写现代题材的剧本时,就应用新诗。二、中国歌剧应视作戏剧(文学)的音乐化,而不是音乐的戏剧 In his article “A Preliminary Probe into the Forms of Chinese Opera” (“The Third Drama of 1986”), Rohosin argues that the form of Chinese opera can not be based on Chinese operas and operettas. . On this issue, the article put forward three points: First, in the preparation of the ancient, modern, mythological script, you can use lyrics lyrics. In the preparation of folklore and local colors is very strong sharp script, you can use folk songs, ballad body. When writing a script for a modern theme, apply a new poem. Second, Chinese opera should be regarded as the musicalization of drama (literature), not the musical drama