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关于京剧的文学特点,王国维说:“戏曲者,谓以歌舞演故事也。”这句话很有道理,但没有引伸下去。张庚说,戏的唱词是“剧诗”。这句话也讲得很好。所谓剧诗,当然就不是诗人个人的感怀,而要写剧中个别人的思想和行动。写人物因什么事件而行动的?是在什么特殊情境下表现其性格的?是为什么原因失败和成功的?最困难的是,剧诗是要写情节的,在生动的情节中潜藏着使得人们思考的问题——主题。剧诗写情节,就要求写情节的结构,写情节结构的升降起伏,这就要懂得戏曲的舞台规律。只讲文词推敲,不讲
On the literary features of Beijing Opera, Wang Guowei said: “The opera singer also said that the story of singing and dancing also makes a lot of sense, but there is no extension. Zhang Geng said that the opera’s libretto is ”drama poem." This sentence is also very good. The so-called drama poem, of course, is not a poet’s personal feelings, but to write the individual thoughts and actions in the play. What kind of events do people write and act in what circumstances? In what circumstances do they express their own personality? Why is the cause of failure and success? The most difficult is that the drama poem is to write the plot, hidden in the vivid circumstances that make people Thinking questions - the theme. Drama poem plot, it is required to write the plot structure, writing plot structure ups and downs, which we must know the opera stage rules. Only words to consider, do not speak