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在《意外集》中,丁玲以“人”为视点,忠实于自我体验,以对“人”的生存境况的关注和自我人道情怀的张扬,实现了由左翼文学的革命功利主义向五四人道主义精神的回归。在当时左翼文学的话语场中,丁玲以此发出了自己的异响,表现出了比较鲜明的个人化色彩。《意外集》对左联前期以《水》为代表的创作路子作出了调整,并开启了陕北前期丁玲个性化创作的先河,因而在丁玲文学道路中具有重要意义。
In “The Accidental Set”, Ding Ling takes “people ” as his point of view and is faithful to self-experience. Concerned with the living conditions of “people ” and the publicity of his own human feelings, Ding Ling realized the revolutionary utilitarianism of left-wing literature Return to the May 4th Humanitarian Spirit. In the discourse field of left-wing literature at that time, Ding Ling issued his own abnormal sound and showed a rather distinctive and individualized color. The accident set made a readjustment of the creation path represented by “water” in the early period of the League of Leftist, and opened the precedent for individualized creation of Ding Ling in the early stage of northern Shaanxi. Therefore, it is of great significance in Ding Ling’s literature.