有人说世界电影史上还没有哪位导演像马力克那般特立独行的。纵观世界影坛,称得上“银幕诗人”的电影大师屈指可数,像前苏联的亚·杜甫仁科(《海之歌》),俄罗斯的安·塔尔柯夫斯基(《伊万的童年》)、印度的萨·雷依(《大河之歌》)等。而在好莱坞商业化大潮中,能够无愧于这一称号的更是凤毛麟角,当代仅泰伦斯·马力克(Terrence Malick)一人。他的近作《生命之树》在第64届戛纳电影节夺得最佳影片金棕榈大奖。尽管他本人因生性害羞并未出席颁奖仪式,但与会者全场起立鼓掌,向这位“银幕诗人”致敬,评委会主席罗·德尼罗誉称此片“一些理念与金 Some people say that in the history of world cinema, no director is as maverick as maverick. Looking at the world cinema, there are a handful of filmmakers who claim to be ”screen poets.“ As Asia’s Du Furenko (”Sea Song“) of the former Soviet Union, Ann Tarkovsky of Russia (” Ivan’s childhood “), India Sa Lei (” song of the river “) and so on. In the tide of Hollywood commercialization, what is worthy of this title is even more rare, contemporary only Terrence Malick (Terrence Malick) one. His recent ”Tree of Life“ won the Golden Palm Award for Best Film at the 64th Cannes Film Festival. Although he himself was not shy for the awarding ceremony due to sexual instinct, the participants stood in full applause and paid tribute to the ”screen poet“, who praised the film’s ”Some Ideas and Gold