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古人有云:字画小技,然不精研,则心与法不相合,何由通微?不积习,则心与手不相应,何由造妙?书法,作为一门艺术,要做到心法相通,心手相师,就要大量地不断地临摹古碑帖,以养性积习,同时还要深入探讨与研究,方能知微明幽,有所提高,进而有所创造。要做到这一点,折搭艺术就不能不提及。然在以往的书学理论中,只是附带提一下,没有做专门的探讨和研究。笔者不揣鄙陋,就这一问题求教于方家。
The ancients have the cloud: Craftsmanship, however, is not refined research, then the heart does not coincide with the law, why not by micro? Not plot, the heart and the hand does not correspond, why make a wonderful calligraphy, as an art, to be heart Law similarities, hand in hand mentally and mentally, it is necessary to copy a large number of ancient rubbings, in order to maintain good habits, but also in-depth discussion and research, to know the twilight quiet, improved, and then created. To do this, folding art can not but mention. However, in the past book theory, only incidental mention, did not do specialized research and research. I do not guess humble, to seek advice on this issue in the square.