中国画之发展前景如何,一直是圈内密切关注并热心探讨的一个议题。目前,对这个问题,除了断言传统中国画的未来“穷途末路”论以外,也有对中国画的走向现代表现出一定的忧虑。这种忧虑突出反映在水墨画上,其焦点在于:由于表现技法的扩展,非中国画材料的使用,现代观念和相应表现手法的引入等,而认为:中国画如不扩大边界,便难免有“古典意趣”。而扩大了 The development prospects of Chinese painting have always been a topic closely watched and enthusiastically discussed in the circle. At present, apart from asserting the future of traditional Chinese painting, “the end of the road”, this issue has some worries about the trend towards the modern Chinese painting. This anxiety is mainly reflected in the ink painting. Its focus lies in the fact that due to the expansion of performance techniques, the use of non-Chinese painting materials, the introduction of modern concepts and the corresponding expression techniques, it is thought that Chinese painting can hardly avoid the “classical Interest ”. And expanded