赵望云是真正的一线的水平二线的价位,有专家曾做过这样的对比:齐白石、黄宾虹、潘天寿等是近现代乃至中国美术史上举足轻重的人物,对于美术史他们都有开拓之功,但他们有一个共同点就是都脱离不开文人画的范畴,或多或少带有旧式文人的审美倾向,而真正打破旧式文人审美模式并从生活中立高标的正是赵望云和李可染。对于李可染,每一个跟绘画相关的藏家、画家都对他的作品 Zhao Wangyun is the real front-line and second-tier price. Some experts have made such comparisons: Qi Baishi, Huang Binhong and Pan Tianshou are pivotal figures in the history of modern and even Chinese art. They both have pioneering achievements in art history, but they One thing in common is that they are all separated from the category of literati painting more or less with the aesthetic tendencies of the old literati. It is exactly Zhao Wangyun and Li Keran who truly broke the aesthetic mode of the old literati and raised their standard of living. For Li Keran, every collector and painter associated with the painting has his work on him