两晋之际,咏物赋创作繁盛,其中也产生了许多描写吟咏乐器、舞蹈、歌唱等题材的音乐赋。许多音乐赋中有相当的篇幅包含渲染悲哀的内容,用文字这种媒介来表现音乐时,音乐赋的作者往往巧妙借用富于形象化的场景和氛围描写,来构筑抽象的音乐所能带给人的丰富的想象空间,从而表现其独特的“尚悲”审美取向以及相关的“乐教”功能。 On the occasion of the Jin and Jin dynasties, there was a lot of creation of poetry and poetry, which also produced a lot of musical compositions depicting chants, dances, songs and other subjects. Many of the musical genres have quite a bit of space for rendering sorrowful content. When texts are used to express music, the authors of music often use the vivid scenes and ambience to create abstract music. People’s rich imagination, so as to show its unique “sadness” aesthetic orientation and related “music education” function.