陈洪绶作为明末清初的一位人物画大师,追求高古奇骇,变形怪诞的风格。陈洪绶在中国画坛领域当中有着非常重要的地位,对于陈洪绶作为研究对象具有一定的现实意义。陈洪绶的画法承接了唐宋传统,并且将元明文人的笔墨程式融合进来。在当今这样的多元化的社会当中,对传统人物画有着一定的影响,引发人们去探求工笔画在当代文化背景之下的发展之路。 Chen Hongshu as a figure painting master of the late Ming and early Qing dynasties, the pursuit of high Gucci fear, deformed weird style. Chen Hongshou has a very important position in the field of Chinese painting and calligraphy, and has certain practical significance for Chen Hongshou as the research object. Chen Hongshou’s painting inherits the tradition of the Tang and Song dynasties, and incorporates the brushwork and writing of Yuan and Ming scholars. In today’s diverse society, traditional portraits have a certain impact, triggering people to explore the development of the strokes under the contemporary cultural context.