“戏曲语言”题目大,也不易讨好。因为古今中外已有很多阐述戏剧(戏曲)语言的理论文章,讲起来容易重复。为了避免这一点,就想从戏曲语言不同于戏剧语言的特点谈起,附带谈一点有关要求和运用方面的问题。这样,也许更能适合于青年同行们的实际需要。 “Drama language” topic is not easy to please. Since there are many theoretical articles that have elaborated drama (opera) language both at home and abroad, it is easy to repeat. To avoid this, I wanted to talk about the different characteristics of drama language from that of drama language, with some additional related questions concerning the requirements and application. In this way, it may be more suitable for the actual needs of young people.