论文部分内容阅读
我们创作《沧桑祭》的最初想法起于1995年秋天。记得那个深秋的黄昏,夕阳残照下,我们第一次面对赫然矗立的废墟遗址,被那悲壮雄伟之势所震撼。凝聚中华民族几代人智慧结晶的艺术宝库毁之一旦的惨痛悲剧,令我们久久不能平静,产生了强烈的创作欲望。草图反复画了许多,终不能表达其感受之一二。1996年11月看到中国艺术大展主题画中有“火烧圆明园”这一选题,我们又拿起笔去写生,试图从各个角度去摹写它的悲壮气势,刻画它的精美绝伦。时值深秋,如血
Our first thought of creating a “vicissitudes of life” started in the autumn of 1995. I remember that late autumn dusk, the setting sun sunset, we first face the ruins of the site stands impressively, was shocked by that majestic majesty. The painful and tragic destruction of the art treasure house, which has brought together the wisdom and crystallization of generations of the Chinese nation, has made us calm for a long time and produced a strong desire for creation. Sketches have repeatedly drawn many, and ultimately can not express one of its feelings two. In November 1996, he saw the theme of “burning the Summer Palace” in the theme painting of the China Art Exhibition. We took up the pen and sketched the sketch to try to describe its tragic momentum from all angles, portraying its exquisiteness and exquisiteness. Late autumn, such as blood