论文部分内容阅读
赫伯特·曼纽什教授所著的《怀疑论美学》是第一部系统介绍怀疑论美学思潮的学术专著。一位西方著名学者自以为最重要的一部专著首先在中国出版中文版,而后再在欧洲出版德文版、英文版,这件事情本身不仅表明作者把中国作为世界文化发展的源泉,致力于把中国传统文化传播到西方的积极态度,而且也显示出他对中国人民的友好感情。同时,也说明改革开放中的中国正在为促进国际文化交流作出新的贡献。《怀疑论美学》是根据作者1988年在中国举办一系列讲座修改加工而成的,也是他接触中国文化。受中国老庄哲学思想影响,将西方怀疑论与中国老庄哲学比较研究的结果。在本书中,他运用怀疑论精神,集中对艺术和美学中的一系列问题作出了自己的解释。他认为艺术的本质,不在于它追求一种超自然的存在,也不在于它对现实的忠实反映,或内在感情的表现与抒发,而在于对现实的批评。这种批评并不是简单的指责与发难,而是对表面熟悉的事物检讨与发问,从而得出新的发现与新的选择。同时。艺术家也不是什么天才,而是一个时时在内心中进行独白与自我对话,对自己和周围的事物时时进行发问与对话,从不为自己的行为规定一个固定的目标和固定程式的人,也就是说要反对僵化。作者这些观点很有商讨的必要,所以我们邀集部分专家学者座谈《怀疑论美学》。
The “Skepticism Aesthetics” by Herbert Mannush is the first academic monograph to systematically introduce the skepticism of aesthetics. A well-known Western scholar considered the most important monograph to publish the Chinese version first in China and then the German and English versions in Europe. This incident not only shows that the author himself not only shows China as a source of world cultural development, but also devotes himself The positive attitude of spreading Chinese traditional culture to the West has also shown his friendly feelings toward the Chinese people. At the same time, it shows that China in the process of reform and opening up is making new contributions to the promotion of international cultural exchange. Skepticism is based on a series of lectures modified and authored by the author in China in 1988, as well as his contact with Chinese culture. Influenced by the thought of Lao Tzu and Zhuang Zhuang in China, the result of a comparative study of western skepticism and Lao Tzu and Zhuang Zhuang in China. In this book, he uses skepticism to focus his own interpretation on a series of issues in art and aesthetics. He believes that the essence of art lies not in its pursuit of a supernatural existence, nor in its faithful reflection of reality or in the expression and expression of inner feelings, but in the criticism of reality. This criticism is not a simple accusation and an attack, but rather a review and questioning of familiar things so as to draw new discoveries and new choices. Simultaneously. The artist is not a genius, but a person who constantly monologues and converses with himself, questions and converses with himself and the surrounding things from time to time, and never sets a fixed goal and a fixed program for his actions Said to oppose the rigid. The author of these views is very necessary to discuss, so we invite some experts and scholars to discuss “skepticism aesthetics.”