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当今社会下又出现了“新常态”这个词,所谓“新”就是“有异于旧质”;而“常态”就是时常发生的状态。在艺术界这种新常态就是不同以往的、相对稳定的状态,面对这种新常态,设计师有了很多新的不同的机遇,也有了很多新的冲突和挑战。一是当我们设计重组也就是新的资源整合的时候,不免会遇见各种各样的问题。二是我们在学术研讨时不要过于追寻高大和完整,我们更应该注意的是细微的变化、差异的变化,在于微小之处见真知。三是重新审视设计价值,也更应该肩负起设计师的责任。本文从新常态下的一些社会现状来阐述和剖析了设计师的生存心态,和如何坚守自己的价值观来面对冲突与挑战。
In today’s society, the word “new normal” has appeared again. The so-called “new” means “different from the old one”; and the “normal” is the regular state. In the art world, this new normal is a different and relatively stable state. In the face of this new normal, designers have many new and different opportunities as well as many new conflicts and challenges. First, when we design and reorganization is a new resource integration, we will inevitably encounter a variety of problems. Second, we should not overstep the tall and complete academic studies, we should pay more attention to subtle changes, differences in change, lies in the tiny place to see the truth. Third, re-examine the design value, but also should shoulder the designer’s responsibility. This article from the new normal state of some social situation to elaborate and analyze the designer’s survival mentality, and how to stick to their own values to face the conflicts and challenges.