中国工笔花鸟画从唐朝至宋元,在造型上一直崇尚严谨写实。自明陈老莲开始注重意象的概括和变形后,恽南田则开创了没骨法的工笔花鸟画,这技法上靠近了写意画。到了近现代,画家求变的思想日益增强。于非闇的双勾重 Chinese calligraphy and painting from the Tang Dynasty to the Song and Yuan Dynasties, has always been advocating rigorous realistic style. Since Chen Laolian began to focus on the generalization and deformation of the imagery, Junan Tian pioneered the non-ostensive brushwork and flower painting which is close to the freehand painting. In modern times, the artist’s idea of ​​seeking change is getting stronger. In the dark double hook heavy