本文将以一些带有京腔京韵的新创歌曲、带有豫剧风格的民歌、带有南方戏曲韵味的作品及其演唱等案例,来印证戏曲演唱之于民族声乐解构与建构的理论。因为理论是从大量的实例中抽引归纳出来的,所以部分案例难以充分地全面地说明理论,但是,两者的内在实质却是一样的。 This article will demonstrate some of the new songs with Beijing and Beijing rhyme rhyming, folk songs with the style of the opera, works with the flavor of the southern opera and their performances, to prove the theory of the opera singing in the deconstruction and construction of the national vocal music. Because the theory is drawn from a large number of examples, it is difficult to fully explain the theory in some cases. However, the intrinsic substance of the two is the same.