论文部分内容阅读
中国敦煌历代装饰图案绘制整理原稿展于近日在清华大学美术学院展出。本次展览展示了近300 幅敦煌历代装饰图案,忠实客观地表现了敦煌图案的纹样造型、色彩、特征、规律,较全面地再现了敦煌装饰图案的面貌。这些作品是由清华大学美术学院教授常沙娜主持完成的清华大学“985”科研项目“中国敦煌历代装饰图案研究”课题成果。课题组成员在常先生的指导和带领下,历经3 年时间,殚精竭虑,完成了对敦煌石窟中有关建筑、壁画、彩塑等各类装饰图案的系统分类临摹整理。此次展览以及相关书籍《中国敦煌历代装饰图案》一书的出版,在弘扬民族优秀传统文化的基础上,为当代的设计师、美术工作者和年轻的艺术学子提供了研究和学习传统艺术的机会,从而为有效地推动当今中国装饰艺术的发展起到重要的作用。为此,本刊记者采访了常沙娜及其课题组成员们,就敦煌历代装饰图案的绘制整理工作的缘起、过程、产生的意义及其引发的思考等问题作了访谈。
Chinese Dunhuang dynasties decorative patterns drawing and finishing manuscript exhibition was recently exhibited at the Tsinghua University Academy of Fine Arts. The exhibition shows nearly 300 pieces of decorative patterns of Dunhuang dynasties, faithfully and objectively showed the patterns, colors, features and laws of the Dunhuang motifs and fully reproduced the appearance of Dunhuang decorative patterns. These works are the achievements of “985” scientific research project of “Tsinghua University's Decorative Pattern Research in Dunhuang of China”, conducted by Professor Chang Shana, Tsinghua University's Fine Arts Academy. Under the guidance and guidance of Mr. Chang, the task force members worked hard to complete the systematic classification of various decorative patterns in Dunhuang Grottoes such as architecture, murals, and colored plastic after three years of hard work. The exhibition and related books, “China Dunhuang decorative painting patterns,” a book on the publication of outstanding traditional culture, based on the contemporary designers, artists and young art students to provide research and study of traditional arts Opportunities, so as to effectively promote the development of today's Chinese decorative arts play an important role. To this end, the reporter interviewed Chang Shana and its group members, on the history of Dunhuang decorative painting drawing finishing work, the process, the significance of the resulting and thinking triggered the interview.