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吴眉孫是一位民國詞史上被大大低估了的詞人。他反對嚴守四聲格律的創作傾向,提出‘文質適中,清氣貫通’的詞學主張,豎起了抗戰詞壇詞風胚變的革新大旗。在這一理論指導下,眉孙以充沛的情感駕馭性靈之筆,用幽默風趣的個性化語言,充分展現孤島文人的艱難處境和家國情懷,並成功地將辭藻與命意完美結合,鍛造出《寒竽閣詞》清空脱俗、渾然天成的整體氣象。
Wu Meisun is a poet who was greatly underestimated in the history of the Republic of China. He objected to the creation tendency of strictly observing the four-character metrical pattern and put forward his proposition of Ci-Ci that was moderate in character and permeable. He put forth the revolutionary banner of the rhetoric of the war of words in the Anti-Japanese War. Under the guidance of this theory, Meisun with full of emotions to control the spirit of the pen, with a humorous and personalized language, fully demonstrated the isolated literati difficult situation and family feelings, and successfully the rhetoric and life perfect combination of forging “Cold words” emptied refined, totally natural weather.