知道张雅文要写关于香港回归的报告文学,心中不免生疑。疑窦有二:第一,张雅文属于那种很感性的作家,她的作品,特别是一些有影响的力作,多是以写人为主,获得鲁迅文学奖的《生命的呐喊》,干脆就是一部以她生命历程为题材的自传体报告文学。诚然她也写过国际性题材,如《盖世太保枪口下的中国女人》、《韩国总统的中国御医》、《玩命俄罗斯》等,但这类作品线索较为清晰,事件相对集中,人物也不那么众多、那么复杂。写香港回归则不然,这是一件轰动 Know Zhang Ya-wen to write about the return of Hong Kong’s reportage, the heart can not help but suspect. There are two doubts: First, Zhang Ya-Wen belongs to the kind of very emotional writer. Her works, especially influential masterpieces, are mostly the “call of life” written mainly by writers who won the Luxun Literature Prize, Department of autobiographical reportage with her life course as subject. It is true that she has also written international topics such as “Chinese Woman Under the Guardian Gestapo,” “Chinese Presidential Medical Doctor of South Korea,” and “Russia Ruined.” However, the clues of such works are relatively clear, the events are relatively concentrated and the figures are not So many, so complicated. The return to Hong Kong is not the case, this is a sensation