女艺术家大野洋子是著名的甲壳虫乐队主唱约翰·列侬的妻子,并对列侬本人和甲壳虫乐队产生了很大影响。因而长期以来,她更多的是因这段经历而为世人所知,人们往往忽略了她还曾经是“激流艺术”和观念艺术的主将之一、“女性主义艺术”的重要先驱、“极少主义艺术”的出色阐释者、朋克滚石音乐、实验电影和多媒体艺术的主要开创者,不仅在50.60年代现代主义先锋派运动中作用突出,而且对后现代艺术的产生和发展作出过独特贡献。今年沉寂多年的大野洋子重新出现在公众的视野中,她的个人回顾展在北美各地巡回展出,旅居加拿大的耿幼壮先生以《肯定性的艺术》为题,在本期撰文对大野洋子的丰富艺术成就做了生动介绍。 本期的《论美术的现状》是连载的最后一部分,在这部分中克莱尔重点解释了当代艺术发展中“反动”、“倒退”的必然性,70年代以来出现的相对于现代性创新之审美的“更新”审美即是艺术“反动”发展的现实表征。这种审美回归记忆的源泉,运用过去的文化,探索过去的维度。在造型艺术中,这种“反动”的本质特征无疑是回归技艺,回归写实和艺术家们重新学习绘画艺术的基础知识。克莱尔的主张未必全然正确,但他观点和主张值得读者重视和深思。 主持人/王红媛 Yoko Ono, the female artist, is the wife of the famous Beatles lead singer John Lennon and has a huge influence on Lennon and the Beatles. Therefore, she has long been known to all over the world for this experience. She often overlooked that she was also one of the masters of “rapids art” and conceptual art, and “an important pioneer of feminist art.” The prominent interpreter of pianistic art, the pioneer of punk rock music, experimental film and multimedia art not only played a prominent role in the modernist avant-garde movement of the 1950s and 1960s, but also made unique contributions to the emergence and development of post-modern art. This years Yoko Ono reappears in the public field of vision, her personal retrospective exhibition tour around North America on display, living in Canada Geng Youzhuang to “affirmative art” as the title, the author of this article on the rich Yoko Onoko Art achievements made a vivid introduction. In this issue, Claire focuses on explaining the inevitability of “reactionary” and “retrogression” in the development of contemporary art, the aesthetic aspects of modern art since the 1970s “Updating” Aestheticism is the Realistic Representation of Art “Reactionary” Development. This source of aesthetics returns to memory, applying past cultures and exploring the dimensions of the past. In the plastic arts, this essential feature of “reactionary” is undoubtedly the basic knowledge of returning to art, returning to realism and artists’ re-learning of the art of painting. Clare’s assertion may not be entirely correct, but his views and ideas deserve the reader’s attention and reflection. Host / Wang Hongyuan