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在明清小说中,女扮男装的情节往往出现在生活常态被打破的无奈之际,女主人公只好易装,闯入男性世界,故事也因此有了转机,这似乎已成为一个固定的
In the novels of Ming and Qing dynasties, the plot of the disguised as a man often appears in the helplessness of life being broken. The heroine has to be easy to wear and break into the male world. The story therefore has a turning point, which seems to have become a fixed