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近十年来谍战影视剧的流行,构成了一个重要的文化现象。本文认为谍战故事的叙述体现了经济时代影视剧对政治的消费;折射了现代社会的身份认同危机以及商业社会在消费女性奇观的同时对传统性别机制的维护。而这三个方面正是影响谍战影视剧的叙述决定其面貌的话语机制。
The popularity of spy war films and TV dramas in the past decade has constituted an important cultural phenomenon. This article argues that the description of spy war stories embodies the consumption of politics in the film and TV drama in the economic era, reflects the crisis of identity identity in modern society and the maintenance of traditional gender mechanisms while consuming commercial wonders in commercial society. These three aspects are precisely the discourse mechanisms that influence the appearance of the spy war drama.