本文以1941年高剑父的《我的现代绘画观》为主要研究文本资料,旁采同时代的相关论述,在比对中探析近代中国人的现代美术观的生成历程、呈现样态以及价值指向。特别是高剑父现代绘画试验中所援入的科学主义以及新题材,是本文的研究中心。 This paper takes Gao Jian-fu’s “My Modern View of Painting” as the main textual data in 1941, and by the contemporaneous relevant discourses, analyzes the formation process of the modern Chinese art concept in contemporary Chinese, presents the style and value direction. In particular, scientific scientism and new themes which are supported by Gao Jian-fu’s modern painting experiments are the research centers of this article.