四川省委提出“振兴川剧”已历整整10个年头。10年来,在经济大潮的冲击下,在与影视艺术的竞争中,练就了一支富有事业心和创造性的川剧队伍。遵循“抢救、继承、改革、发展”的八字方针,川剧艺术家们承先启后,继往开来,矢志弘扬优秀民族文化。1992年5月在成都举行的第六届振兴川剧会演(第一轮),集中展示了10年振兴的丰硕成果。观众上座踊跃,有口皆碑,不少演出还开放楼厢,不断爆发满堂掌声。笔者亲躬其盛,略述观感,以见一斑:贴近民众俗则兴川剧扎根巴山蜀水,渗透着四川人民在政治经济、伦理道德、风俗习惯、宗教信仰以及语言表达方式等方面的思想感情和审美观念,具有一种不同于其它兄弟剧种的艺术个性。川剧艺术家们注意到川剧作为地域文化的这一特点,无论编演现代戏或古代故事剧,皆在“俗”字上做足文章,俗中见雅,雅中还俗,不仅浸润着浓郁的巴蜀风情,而且悉心感受和适 Sichuan Provincial Party Committee put forward “rejuvenating Sichuan Opera” has a full 10 years. In the past 10 years, under the impact of the economic tide, and in the competition with film and television arts, it has trained a team of Sichuan opera full of professionalism and creativity. Following the eight-character principle of “Rescue, Inheritance, Reform and Development”, Sichuan Opera artists take the lead in their efforts to create a better national culture. In May 1992, the 6th Revitalization of Sichuan Opera Troupe (1st Round) held in Chengdu focused on the fruitful results of 10 years of rejuvenation. Audience sit on the floor, reputable, many performances also open upstairs, continue to burst out applause. The author arrogantly argues that the viewpoints are simple and clear: close to the common people, Hsingchu Opera takes root in Bashan Shu River and permeates the thoughts, feelings and aesthetics of Sichuan people in terms of political economy, ethics, customs, religious beliefs and language expressions Concept, has a different from the other brother’s art personality. Sichuan Opera artists have noticed that Sichuan Opera, as a regional culture, no matter whether it is a modern drama or an ancient storyline, And feel carefully and appropriate