本文应用后殖民女性主义理论,从文化和女性主义角度解读华裔小说《喜福会》,研究母女关系,解构和重建华裔女性的文化和性别身份,以探讨后殖民语境下的女性话语权表达及其意义。 This paper applies the theory of postcolonial feminism to interpret the Chinese-American novel The Joy Luck Club from the perspective of culture and feminism, studies the relationship between mother and daughter, deconstructs and rebuilds the cultural and gender identities of Chinese women, and explores the discourse of women in post-colonial context Expression and Significance.