我初次发现丽琳·海尔曼的中篇小说《朱丽亚》是在一本杂志中。读了第一页便不忍释手。一口气读完后,我赶忙向朋友介绍,而且预测这个故事必会摄成电影。故事是自传性的,叙述一位美国青年犹太女作家前往纳粹德国探望她自幼共同生活、出身富有的基督教朋友。这位朋友甘愿抛弃美国的富裕生活,留在德国参加反纳粹的地下活动,终被纳粹残害而死。朋友在与女作家告别之时,请她找寻与照顾她的私生儿。然而这个孩子从未找到。《朱丽亚》后来果然被拍成电影,主演者乃是影剧界两位思想最进步的女演员;英国的梵尼莎·瑞德葛蕾芙与美国的简·芳达。一般的所谓“文艺片”难得能与原作相比。《朱丽亚》却是一部杰出的影片,两 I first discovered that Lillian Hellman’s novella “Julia” is in a magazine. Read the first page will not be able to put it down. After reading the breath, I quickly introduced to my friends, and predict that this story will be made into a movie. The story is autobiographical, narrating a young American Jewish woman writer who visits Nazi Germany to visit her young, Christian friend who lived in her own life. This friend, willing to abandon the wealthy life of the United States, left in Germany for anti-Nazi underground activities and was eventually killed by the Nazis. When a friend says goodbye to a woman writer, ask her to find and take care of her illegitimate child. However, this child has never been found. “Julia” was then finally turned into a movie, the protagonist is the film’s two most progressive actress actress; the United Kingdom of Vanessa Reid Greaves and the United States Jane Fonda. The so-called “literary film” is rare compared with the original. “Julia” is an outstanding film, two